Vital Statistics:
Born: Morris, Illinois. Citizen - U.S.A.
Married: Father of five children
Address:
2609 Jamestown Lane, Denton, Texas 76201
Home Telephone: (940) 565-0768
University of North Texas Office Telephone: (940) 565-3763
Present Employment:
University of North Texas, Denton, Texas
Faculty Rank: Professor
Teaching Duties: Graduate Courses in Composition,
Multimedia
Techniques, and Computer Music Media; private compositionEducation:
Bachelor of Music, Composition - 1960,
Illinois Wesleyan University, Bloomington, Performance Areas: trumpet (jazz & classical); pianoMaster of Arts, Composition - 1963,
San Francisco State UniversityPost-graduate study - 1961,
University of California, BerkeleyPost-graduate study - 1964
Milan, Italy Conservatory of MusicDoctor of Musical Arts Program - 1965 to 1966
University of Illinois, UrbanaSupplementary Studies:
San Francisco Tape Music Center, 1961-65
Electronic Music Studio of Radio-Televisione Italiana, Milan, Italy, 1964-65
University of Illinois Experimental Music Laboratory, 1965-66
Principal Composition Teachers
Private: Luigi Nono, Venice, Italy;
Sal Martirano, Robert Erickson, Wayne Peterson, Wilbur Ogdon, U.S.A.Tanglewood (Berkshire Music Center) Seminars:
Donald Martino, George Rochberg, Roger Sessions, Gunther SchullerComposition Awards and Prizes:
Pacifica Foundation Radio Directors Award,196.
(honorable mention and performance award)Prix de Rome , 1967
Oregon College of Education Summer Arts Festival Award, 1970. (for Missa Brevis, an intermedia work)
Shell Foundation Faculty Development Award, 1979. (to compose Rondelet Concertant for orchestra)
Grand Prize, Amherst College New Choral Music Contest, 1979.
(for Kyrie Eleison for double choir and tape)First Prize Winner, Festival of Contemporary Choral Music
in America, Bowdoin College, l988.Rockefeller Foundation Bellagio Study Center Artist Residency, 1996
Composition Fellowships:
Fulbright Fellowship to Italy, 1963-64
Tanglewood (Berkshire Music Center) Fellowship, Summer 1966
Darmstadt, Germany Music Institute Fellowship, Summer 1966
Rome Prize Fellowship, American Academy in Rome,1966-67
Bennington Composers Conference Fellowship, Summer 1969
Ford Foundation Fellowship in Electronic Music, 1973.
(Mills College Center for Contemporary Music)National Endowment for the Arts Composition Fellowship, 1977
National Endowment for the Arts Composition Fellowship, 1979
Illinois Arts Council Composition Fellowship, 1980
Illinois Arts Council Composition Fellowship, 1981
Local Research Grants:
UNT Faculty Research Grant for development of professional software package
for algorithmic composition, 1990-1991. $1500UNT Faculty Research Grant for applications of Iterated Functions Systems to algorithmic
composition, 1992. $3000UNT Faculty Research Grant for application of Artificial Neural Networks (with George Mobus,
Computer Science Department to music composition, 1993. $1800Regional Research Grants:
North Texas Research Institute; subvention for the publication of a new book, Automated
Music Composition. $2000 awarded, 1992.North Texas Research Institute Grant to develop and bring to market the MusicSculptor
Studio System, a MIDI sequencer-based, interactive, automated composition system for IBM-PC compatibles, 1990-1992; $15,000National Research Grants:
National Endowment for the Arts Centers for New Music Resources Grant; (with
Larry Austin on behalf of the Center for Experimental Music and Intermedia).$7500 awarded for 1988-89, to purchase equipment for a new Computer Graphics
Studio, and fund the Composer Residency Program.International Research Grants:
National Science Council Grant, Republic of China. Computer music
research at the Computer Music Studio of National Chiao Tung University from January through August, 1989 $45,000National Science Council Grant, Republic of China. Co-ordinate a two-year
research program titled: Projects in Music Intelligence. Four periods of residency to supervise graduate research projects at the Computer Music Studio of National Chiao Tung University from December, 1989 to August,1992. $43,000Taiwan International Cultural Community Foundation award to mount an exhibition of
experimental photographic work, Sun Gat Gallery of Photography, Taipei, Taiwan and Kaoshung Photography Gallery, Kaoshung, Taiwan. June, 1990. NT$50,000Articles featuring my research activites:
RESOURCE, University of North Texas Research Magazine, 1992. MusicSculptor, by
Charlotte GuestComposition Grants:
University of North Texas:
Faculty Research Grants for Intermedia Composition, 1982,
1983,1984,1986, 1987,1991, 1992, 1993, & 1994 (for works integrating computer music, computerized multi-image projections, and dance)National Endowment for the Arts Inter-Arts Program.
Collaborative Commission to compose an Intermedia work, 1984Great Lakes Arts Alliance/Meet-the-Composer Grant for
residencies in Ohio , 1983-1984National Science Council, Computer Music Research Grants, Republic of China,
Projects in Music Intelligence, 1989-90 funding $76,000
Projects in Music Intelligence, 1991-92 funding $52,000
Academic Employment History:
Instructor, Theory-Composition, 1964-65.
San Francisco Music and Arts InstituteAssistant Professor, Theory-Composition, 1967-68.
Moorhead, Minnesota State UniversityAssistant Professor of Composition. 1968-78.
DePaul UniversityAssociate Professor of Composition. 1979-82.
DePaul UniversityAssociate Professor of Composition. 1982 - 1987,
Professor of Composition. 1988 - present. University of North TexasAdjunct Computer Music Research Professor, 1989 - 90.
National Chiao Tung University, Hsin-Chu, Taiwan, Republic of ChinaVisiting Professorships:
Morton Visiting Professor; Ohio University, 1978
(Composition Seminars in Experimental Intermedia)Visiting Professor of Computer Music, Summer 1988;
National Chiao Tung University, Hsin Chu, Taiwan (Intensive Seminar in Computer-Assisted Composition)Visiting Computer Music Research Professor, 1989; National Chiao Tung University, Hsin Chu, Taiwan
Visiting Professor of Computer Music, Summer 1990;
National Chiao Tung University, Hsin Chu, Taiwan (Intensive Seminar in Computer-Assisted Composition)Visiting Professor of Computer Music, Summer 1991;
National Chiao Tung University, Hsin Chu, Taiwan (Intensive Seminar in Computer-Assisted Composition)Visiting Professor of Computer Music, Summer 1992;
National Chiao Tung University, Hsin Chu, Taiwan (Intensive Seminar in Computer-Assisted Composition)Faculty Development Leaves:
During 1988 I was granted a Faculty Development Leave
for Spring Semster, 1989 to do research in Computer Music. Passages I for piano and computer music was composed, and myfourth book, Composition by Computer, Using MIDI Synthesizers (Third Wave Publishing Group, Taipei) was written while inresidence at the Computer Music Studio of National Chiao Tung University, Hsinchu, Taiwan.University Courses Taught:
Graduate: Contemporary Approaches in Music Education
Contemporary Music in the Classroom
Pedagogy of Theory
Contemporary Trends
Seminar in Composition: Electroacoustic Music
Multimedia Techniques for the Classroom
Seminar in Multimedia Composition
Composition Thesis, Dissertation
Seminar in Computer Music
Computer Music Composition
Undergraduate: Comprehensive Musicianship
Composition
Electronic Music
Acoustics
Counterpoint
Form and Analysis
Orchestration
Twentieth Century History
Contemporary Music Ensemble
Harmony
Advanced Analysis
Humanities
Administrative Experience:
Director, Electronic Music Studio, 1967-68.
Moorhead, Minnesota State UniversityDirector, Electronic Music Studio 1972-77 &
Chairman, Theory-Composition Department, 1968-77 DePaul University, Chicago, IllinoisDirector, Contemporary Music Ensemble, 1970-79.
DePaul University, Chicago, IllinoisMusical Director and Resident Composer, 1970-78.
Chicago Contemporary Dance TheatreCo-Director, Chicago Interarts Ministry, 1980-82
. Chicago, IllinoisCo-Director, Center for Experimental Music & Intermedia. 1982-89, University of North Texas
Coordinator, Projects in Music Intelligence, 1989-92.
National Chiao Tung University, R.O.C.Director, Computer Music Studio, National Chiao Tung
University, R.O.C., 1990-1991Director, Center for Experimental Music & Intermedia. 1991-93, University of North Texas
Director, University Center for Interdisciplinary
Research in the Arts and Sciences. 1991-93, University of North TexasChairman, Division of Composition Studies
1996 - 1997, University of North TexasOther:
Consultant (1987- present) to UNT's sister institution in the Republic of China
(National Chiao Tung University) in the following areas:1) Hardware and software configuration of their new Computer Music Studio;
2) Design and construction of their new Media Arts Center, which includes a
600-seat concert hall and a 200-seat Experimental Intermedia Theater.Computer Music Consultant (1996 - present) to National Education University, Cheong-ju,
KoreaPublications:
Books
Computer-Assisted Music Composition: A Primer in Basic, 1987
Petrocelli Books, Inc., Research Park, 251 Wall Street,
Princeton, New Jersey. ISBN 089433-262-7
The Computer Composer's Toolbox, 1989
Windcrest Books, McGraw-Hill, Inc. New York. ISBN 0-8306-3384-7
Computer Music in C: Compositional Algorithms,1990
(co-author, Gene DeLisa; )McGraw-Hill, Inc. New York. ISBN 0-8306-3384-7
Composition by Computer, Using MIDI Synthesizers , 1991
(Chinese language translation) Third Wave Publishing Group,
977 Min Sheng East Road, Taipei, Taiwan, R.O.C.
Automated Music Composition, 1992
University of North Texas Press, Dallas. ISBN 0-929398-38-6
Articles About Music
Paradise Lost, Co-authored with Barney Childs.
Numus West Magazine, July, 1975.
Patt_Proc1 : An Interactive, Process-Oriented Composition Program written in BASIC
A.S.U.C. Journal, l988.
Patt_Proc2 : A Computer-assisted Composition Program
Leonardo, Journal of the International Society for the Arts, Sciences and Technology;
supplemental Electronic Arts Issue, 1988. pp 122-123.Computer Applications in Music
Third Wave Magazine, October, 1989 issue, pp 211-217. Third Wave Publishing Group, Taipei, Taiwan, R.O.C.MIDI Protocol and Music Representation within the Computer
Third Wave Magazine, November, 1989 issue, pp 206-210.Third Wave Publishing Group, Taipei, Taiwan, R.O.C.
Music Algorithm Implementation Using BASIC Programming Language Third Wave Magazine, December, 1989 issue, pp 209-210.Computer Music Applications , 1991
MacMillan Encyclopedia of ComputersPapers Read & Guest Lectures
Guest lecturer, Festival of Contemporary Choral
Music in America, Bowdoin College, 4/29-5/2, 1988.Guest lecturer and visiting professor, July-August,
1988; National Chiao Tung University, Hsinchu, TaiwanPatt-Proc1, a paper on computer-assisted composition
selected for presentation at the 1988 ASUC Annual Conference at the University of Kansas.Patt-Proc1, a paper on computer-assisted composition delivered 10/17/91 at International Computer Music Conference, Montreal, Canada.
The Aesthetics of Computer Music: The Computer/Composer Relationship, delivered 1/21/89 at the NCTU Seminar on Contemporary Compositional Methods,Taipei, Taiwan.
Some Motive Transformation Algorithms for Implementation by Computer, delivered 3/18/89 at the NCTU Seminar on Contemporary Compositional Methods, Taipei, Taiwan.
The Twentieth Century: an Embarrassment of Riches, delivered 5/18/89 at the NCTU Seminar on Contemporary Compositional Methods, Taipei, Taiwan.
The Musical Canvas: Influence of Technology, delivered 7/18/89 at the NCTU Seminar on Contemporary Compositional Methods, Taipei, Taiwan.
Visiting Lecturer, Interarts Forum, Fine Arts Computer Lab, Ball State University, Muncie, 9/30 - 10/2/89
Guest Composer and Visiting Lecturer in Computer Music, Hochschule fur Musik und Kunst, Stuttgart, West Germany.10/15-29/89
Guest Composer and visiting lecturer in Composition, University of California, San Diego. 5/12-5/17/90.
Visiting Lecturer in Computer Music, National Institute of the Arts, Taipei,Taiwan. Present a 3-day workshop in algorithmic composiiton techniques. December 9-11, 1991.
Visiting Lecturer in Computer Music, National Chiao Tung University, Hsin-Chu, Taiwan. Present a series of lectures on Software Synthesis for the NeXT computer system. December 5-6, 16-19, 1991.
Guest Composer and visiting lecturer in Composition, University of California, San Diego. 5/12-5/17/90.
Guest Composer and visiting lecturer in Computer Music, University of Illinois, Urbana. 10/3-10/9/90
Visiting Lecturer in Computer Music, National Chiao Tung University, Hsin-Chu, Taiwan. Presented a series of lectures on Algorithmic Composition; June,1992 and August, 1992.
Visiting Lecturer, National Institute of the Arts, Taipei, Taiwan; lecture/demonstration of research developments in computer music. June 20, 1992
Visiting Lecturer, Eastman School of Music ; pre-performance lecture on Anamorphoses for Trumpet Ensemble. 4/10/92.
Visiting Lecturer in Computer Music, National Chiao Tung University, Hsin-Chu, Taiwan. Presented a series of lectures on Algorithmic Composition; May, 1993.
Visiting Lecturer in Computer Music, National Institute of the Arts, Taipei, Taiwan. Presented a series of lectures on Algorithmic Composition. May, 1993.
Visiting Lecturer in Computer Music, UCLA School of the Arts; lecture/demonstration of automated composition techniques. 4/30/93.
Professional Computer Music Software Published:
Compakb Volume I Basic Language Composition Routines
Compakb Volume II Basic Midi-compatible Download Routines
Compakc Volume I C Language Composition Routines
Compakc Volume II C Language Midi-compatible Routines
Distributed by Systems Design Associates, Dallas, Texas.
MusicSculptor Interactive & Automated Composition Environment for the IBM-PC.
Published by North Texas Research Institute, 1992. Distributed by ThinKware, Inc.,
San Francisco, CA
GenTrax Interactive Automatic Composition programs for the IBM-PC.
Published 1992 by MusTech Software Developers, Dallas, Texas.
MacroMidi Montager, Standard Midi File composition software,
Version 3.0, distributed by MusTech Software Developers
Commercial Computer Music Software Published:
CWEST for Windows 3.1, Automated Composition Software for
IBM-PC compatibles & General Midi Synthesizers.
Steinberg/Jones Marketing Group, Los Angeles; 10/94
Journal Reviews of my Professional & Commercial Software:
MusicSculptor Automated & Interactive Composition System for the IBM PC, (ProGenitor
Software Company); Bob Lindstrom, Electronic Musician Magazine, October, 1992.
MIDI JukeBox Arcade Musical Style Generator for the IBM PC (ProGenitor Software
Company); Steve Peha and Ben Hippen, Electonic Musician Magazine, December, 1992
Musical Compositions:
The following are published by Pembroke Music Co., Carl Fischer, Inc., sole selling agent;
62 Cooper Square, New York.Schema for Solo Piano 1975
Coronation for four trumpets 1975
Melted Ears for two pianos 1975
Variations for Solo Piano 1975
Orgel I for pipe organ and tape 1975
Orgel II for pipe organ and tape 1975
Gorge for five doublebasses 1975
Asleep in the Deep for five tubas 1975
Flos Harmonicus I for string quartet 1975
Flos Harmonicus II for string quartet 1975
Flos Harmonicus III for woodwind quintet(s) 1975
The following compositions are available through the Carl Fischer
Rental Catalogue:
Missa Brevis for tape, dancer, slides, and percussion 1975
Station for tape, slides, and four dancers 1975
Conflations for chamber orchestra 1975
Gumbo for Julia for 2 voices and live electronics 1975
Actions for brass instrument, tape, and dancers 1975
Honeycomb for orchestra and jazz/rock combo 1976
Do Not Go Gentle Into That Good Night for Orchestra 1978
Septet for Mixed Instruments 1977
The following compositions are published by American Composers Edition,
American Composers Alliance
Rondelet Concertant for full orchestra 1982
Concert for Orchestra and Jazz/Rock Combo 1982
Planesong for eight winds and strings 1982
Planesong for eight unspecified instruments 1982
Kyrie Eleison for double choir and tape 1982
S(ame) T(ired) O(lde) C(hanges) for 11 Instruments 1982
Rhetorics for Clarinet 1988
Published by Mill Creek Publications, Mentone, CA. Included in anthology:
Etudes for the Twenty-First-Century Clarinet, edited by Phillip Rehfeldt, 1992
Anamorphoses for Trumpet Ensemble 1988
Published by American Composers Edition, NY
Passages for piano and Computer Music 1989
Published by American Composers Edition, NY
Passages II for piano and string orchestra 1990
Published by American Composers Edition, NY
Dulcimer Dream for Marimba-Vibraphone and Tape 1992
Published by Whole>Sum Productions Press,
Tempe, Arizona
Five Easy Pieces for Yamaha DisklavierPublished by American Composers Alliance, New York 1993
1994 "Chi -Tan Pu Yao, Hsieh-Hsieh" , for computer-controlled synthesizer
1995 "Mandarin Cycles: The Culture Palace", for chamber ensemble
"Mandarin Cycles: The Culture Palace", for mixed symphony orchestra
"Mandarin Cycles: The Culture Palace", for symphonic wind ensemble
"Mandarin Cycles: The Culture Palace", for symphonic band
Carl Fisher, Inc., New York,publ.; (Pembroke Music Co.)
1995-96 "Twelve Etudes for Pianoforte"
Carl Fisher, Inc., New York,publ.; (Pembroke Music Co.)
1996 "Ineluctable Spaces for computer and chamber ensemble
Carl Fisher, Inc., New York,publ.; (Pembroke Music Co.)
1996 "ChinaScapes for narrator, computer music, and visual projections.
Carl Fisher, Inc., New York,publ.; (Pembroke Music Co.)
1996 "Cinematic Caricatures: Book I" (# 1-10) an intermedia work for visual projections, dancer,
and computer music
Compositions Published in Textbooks and Anthologies:
Gloria Patri for Tape, Dancer, Slides, and Percussion.
Printed in Scores: An Anthology of New Music, Johnson, R., Ed.;
Schirmer Books, Macmillan Co., New York, 1981.
Kyrie Eleison for double choir and tape drone.
Printed in An Anthology of Compositions Produced at the Mills College Center for
Contemporary Music, Ashley, Rbt., Ed., Mills College Press, Oakland, Ca., 1978.
Rage, Rage, Against the Dying of the Light for mixed ensemble.
Printed in Music for Citizen's Band....Accidentally, Parsons, Wm., Ed.;
Published by Iowa Corn Music, San Diego, Ca. 1980.
Orgel I and Orgel II for pipe organ and pre-recorded tape.
Excerpts and discussion printed in textbook New Directions in Music, Cope, David.
1976. Wm. C. Brown, Publ.Notation Exhibits:
Examples of my compositions employing graphic notational techniques have been exhibited inart galleries, and were included in the traveling exhibition, "Eye Music", which toured European
art galleries during 1986-87 under the auspices of the British Arts Council.
Recordings:
Melted Ears for Two Pianos. Advance FGR-14S
William Albright and Thomas Warburton,
duo-pianists.(album title: "New Piano Music")
Gorge for doublebass and pre-recorded tape. Brewster Records
Bertram Turetzky, soloist. Br-1317s
Dervish #2 and String Gam - Two Computer Music Compositions;
International Contemporary Music Exchange;
Anthology of the Music of Texas Composers - 1986.
Dulcimer Dream for amplified piano, Adam Wodnick, soloist;1988
Centaur Records Computer Music Series - Volume I. CRC 2029
Anamorphoses for trumpet ensemble; 1990
Centaur Records Computer Music Series - Volume VI. CRC 3012
Musical Compositions:
More than eighty works, including choral, orchestral, electronic, chamber, dance,
and intermedia.Commissions:
Chicago Contemporary Dance Theatre:
Nothing is the Thing to Fear - 1971 (electronic music, dancers, projections)
Stations - 1973 (electronic music, slides, four dancers)
Actions - 1973 (tape, tuba, trombone, actor, dancers, projections)
City - 1975 (environmental sound components, dancers, tape)
Jamboree - 1976 (instruments, dancers, tape, electronics, projections)
Sequence I - 1977 (electronic music, dancers, projections)
University of Redlands New Music Woodwind Quintet: Flos Harmonicus III - 1972 (one, two, or three woodwind quintets)
DePaul University Symphony Orchestra, Leon Stein, Mus. Dir.:
Concert for Rock Band and Orchestra - 1974 (orchestra, electronic music, and jazz combo)
Roosevelt University Contemporary Music Ensemble: Do Not Go Gentle into that Good Night..... - 1978 (large or small orchestra)
University of Redlands New Music Ensemble, B. Childs, Dir. Cindy 633 - 1979 (multiple amplified pianos)
Northwestern University Contemporary Music Ensemble: Planesong - 1980 (instrumental octet,amplified)
University of North Texas Trumpet Ensemble: Anamorphoses for 16 trumpets - 1988
The following works were commissioned by soloists:
Melted Ears for two pianos (1967); Loren Rush, R. Moran
Gumbo for Julia (1967); Julia Sentman
Variations for Piano (1968); Dwight Peltzer
Orgel I & II for organ and tape (1968); Wm. Albright
Gorge for doublebass and tape (1969); B. Turetzky
Asleep in the Deep for tuba and tape (1970);R. Weisling
Rhetorics for violin (1988); Dorothy Maritrano
Passages I for piano and computer music (1989);Wodnicki
Important Performances:
1964-1987
Rome Symphony Orchestra of Radio-Television Italy
San Francisco Museum of Art
Walker Art Center, Minneapolis-St. Paul
Museum of Contemporary Art, Chicago
New Music From Chicago Series, The Art Institute
Berkshire Music Festival
Carnegie Hall, New York City
Radio Cologne, Germany
Radio Tel Aviv, Israel
Warsaw, Poland Conservatory
Copenhagen, Denmark
U.S.I.A., Milan and Rome
Chicago Society of Composers Series
New Music America Festival, Chicago
National Chiao Tung University, Hsin Chu, Taiwan, R.O.C.
National Cultural Center, Taipei, Taiwan
1988-present
University of North Texas Recital Hall; Elizabeth Abbate, soloist. 4/29/88
Rhetorics for violinFestival of Contemporary Choral Music in America, Bowdoin College, Maine. 5/1/88
Kyrie Eleison for double Choir and SynthesizerInternational Trumpet Guild Conference, University of North Texas; 5/9/88
Anamorphoses for Trumpet Ensemble.National Chiao Tung University, Hsinchu, Taiwan;
Dulcimer Dream for Piano, July 18, 1988.Ada Arts and Heritage Center, Ada Oklahoma; Adam Wodnicki, pianist. 9/26/88.
Dulcimer Dream for solo pianoCEMI-Series, UNT; Constellations Ensemble. 11/21/88.
Assemblage for Chamber Ensemble,CEMI-Series, UNT; Geo. Rosenbaum, soloist. 3/27/89.
Rhetorics for Viola.Taichung Concert Hall, Taichung, Taiwan; Adam Wodnicki, soloist. 8/15/89
Dulcimer Dream for solo piano.LaSalle College of Music, Singapore. Adam Wodnicki, soloist. 8/17/89;
Dulcimer Dream for solo pianoSocial Education Concert Hall, Taipei. Adam Wodnicki, soloist. 8/29/89;
Taiwan premiere of Dulcimer Dream for solo pianoFaculty Recital, UNT. Adam Wodnicki, soloist. 9/14/89
Dulcimer Dream for solo pianoVisiting Artists Series, University of Kansas; Adam Wodnicki, soloist. 9/19/89
Dulcimer Dream for solo pianoRice University, Houston, TX. Dorothy Martirano, soloist. 10/13/89
Rhetorics for violinCEMI-Series, UNT. Rhetorics for violin; Dorothy Martirano, soloist. 10/16/89
University of Oklahoma;Dorothy Martirano, soloist. 10/18/89 Rhetorics for violin;Musica Nova Series, Stuttgart, West Germany; Adam Wodnicki, pianist. 10/26/89
World Premiere of Passages I for piano and computer music.Musica Nova Series, Stuttgart, West Germany; Adam Wodnicki, pianist. 10/26/89
European premiere of Dulcimer Dream for solo pianoSonderveranstaltung Series, Trossingen, West Germany. Adam Wodnicki, pianist.10/25/89Passages I for piano and computer music.
Dulcimer Dream for solo pianoNational Concert Hall, Taipei, Taiwan; Adam Wodnicki, soloist. 7/11/90 & 7/12/90
Passages I for piano and computer music. Dulcimer Dream for solo pianoAmerican Voices Series, Eastman Musica Nova, Sydney Hodkinson, Conductor; Eastman School of Music; 9/21/90 Dulcimer Dream for solo piano
Merrill Ellis Intermedia Theater, UNT; Adam Wodnicki, soloist. 10/3/90 Passages I for piano and computer music. Dulcimer Dream for solo piano.
Musical Arts Series, Southeastern Oklah. State Univ. Adam Wodnicki, soloist. 10/8/90 Passages I for piano and computer music. Dulcimer Dream for solo piano
Collabaret Concert Series, Krannert Center for the Performing Arts, University of Illinois Urbana; October 4, 5, and 6,1990. Passages I for piano and computer music. Rage, Rage Against the Dying of the Light for mixed ensemble, Kyrie Eleison for double choir and dijeridu
Texas Composers Showcase, University of North Texas; 4/4/91 Anamorphoses for Trumpet Ensemble, Leonard Candelaria, conductor
National Chiao Tung University, Hsin-Chu Taiwan; 8/16/91 World Premiere of Algojazz for computer orchestra
Etudes for the Twenty-First Century Clarinetist Concert, University of Redlands, CA. 9/13/91Phil Rehfeldt, soloist. Rhetorics for clarinet
Lewis University Department of Music, Joliet, Illinois; Sever Tipei, pianist. 1/27/92. Passages for Piano and computer
Merrill Ellis Intermedia Theater, UNT; Octavia Brandenburg, pianist. 11/16/92. Passages for Piano and computer;
Dulcimer Dream for amplified piano and Passages for Piano and Computer. Adam Wodnicki, soloist.5/25/92 - Music Academy, Katowice, Poland. 5/28/92 - Music Academy, Warsaw 6/2/92 - Festival of the Society of Polish Composers, Krakow. 7/4/92 - Radio Broadcast, National Polish Radio 7/6/92 - Radio Broadcast, Radio Rzeszow, Poland
American Voices Series, Eastman Musica Nova Ensemble,Sydney Hodkinson, Conductor, Eastman School of Music; 4/10/92. Anamorphoses for 16 trumpets
Rice University, Houston; Sever Tipei, pianist. 1/22/93 Passages for Piano and computer
Society of Composers Annual Conference, Cleveland, Ohio; Sever Tipei, pianist. 5/1/93 Passages for Piano and computer
NOVA Ensemble Concert, University of North Texas; April 17, 1993 Five (or Maybe Six) Easy Pieces for Disclavier (computer-controlled piano)
Merrill Ellis Intermedia Theater, University of North Texas; Adam Wodnicki, pianist. 11/22/93. Passages for Piano and computer
NOVA Ensemble Concert, Joseph Klein, conductor; University of North Texas - October 16, 1995
Mandarin Cycles: The Culture Palace, for chamber ensemble (version with saxes)
Cleveland Chamber Symphony, Edwin London, conductor; Cleveland, Ohio - February 12, 1996 Mandarin Cycles: The Culture Palace, for chamber ensemble (version with brass)
Rockefeller Foundation Study and Conference Center in Bellagio, Italy. 4/21/96 preview performances of Cinematic Caricatures, Book I and Twelve Etudes for Piano
Korea National Education University in Cheong-ju; 6/3/96 preview performances of Cinematic Caricatures, Book I and Twelve Etudes for Piano
Korea National Institute of the Arts in Seoul; 6/4/96 preview performances of Cinematic Caricatures, Book I and Twelve Etudes for Piano
National Education University in Cheong-book;6/5/96 preview performances of Cinematic Caricatures, Book I and Twelve Etudes for Piano
National Chiao-Tung University, Hsin-Chu, Taiwan. preview performances of Cinematic Caricatures, Book I and Twelve Etudes for Piano
Photographic Exhibits:
Exhibit of experimental photography, Ball State University, October 1 & 2, 1989. One-man Exhibit of experimental photography ,Sun-Gat Gallery of Photography, Taipei, Taiwan; June 16 - July 5, 1990.
One-man Exhibit of Experimental Photography, Kaoshung Gallery of Photography, Kaoshung, Taiwan; August 4 - 19, 1990.
Guest Composer Residencies:
Ohio University
University of Michigan
Indiana University
Mills College
Oberlin Conservatory
Cleveland Institute of Music
Southern Illinois University
Alaska Music Festival
Miami University
Southeastern Louisiana State University
Western Michigan University
Electronic Music Plus Festival, Nashville
Cleveland State University
California State University, Long Beach
University of Redlands, California
Bowling Green State University New Music Festival
Amherst College
Western Illinois University Contemporary Music Festival
New Music America Festival, Chicago
Rice University, Houston, Texas
University of California, San Diego
Cincinnati College-Conservatory of Music
University of New Mexico, Albuquerque
Bowdoin College
National Chiao Tung University, Hsin Chu, Taiwan, R.O.C.
Ball State University
University of Illinois, Champaign-Urbana
Cleveland Chamber Symphony, Cleveland, Ohio
Rockefeller Foundation Study and Conference Center, Bellagio, Italy
National Education University, Cheong-ju, Korea
National Institute of the Arts, Seoul, Korea
National Education University, Cheong-book, Korea
Guest Clinician:
International Music Educators Clinic - 1974,1976,1978
University of Vermont, Burlington
(Workshop: Contemporary Music in the Classroom)Music Educators National Conference - 1976
(Eastern Division Convention, PhiladelphiaTeaching Consultant in Electronic Music, 1972-74
. Chicago Board of EducationIllinois State Futuristic Education Project, Northern Illinois State University - 1977
(Multimedia Workshops)Film Music Seminars and Experimental Intermedia Workshops presented at many
universities, including the majority of those listed under Guest Composer ResidenciesSeminar in Computer-Assisted Composition, National Chiao Tung University,
Taiwan; July, 1988.Seminar in Computer-Assisted Composition and Synthesis Techniques,
National Chiao Tung University, Taiwan; August 6-25, 1989.Membership in Professional Organizations:
Fellow, American Academy in Rome, 1966-Present
Board of Directors, Contemporary Concerts, Inc., 1972-74
Board of Directors, Chicago Contemporary Dance Theatre, 1973-77
American Composers Alliance, 1974-Present
Broadcast Music, Inc., 1969-Present
Board of Directors, Chicago Soc. of Composers, 1978-82
Regional Chairman, A.S U C., 1980
Advisory Committee, New Music Alliance, 1981-82
Member, American Music Center, 1982-
Member, Pi Kappa Lambda Honor Society, 1983-
Member, Board of Directors, Meet the Composer/Texas, 1983-85
Other Activities:
Final Judge, Broadcast Music, Inc. Student Composers
Awards, 1980
Final Judge, A.S U C. Publication/Recording Series, 1980
Lecturer, Museum of Contemporary Art Radio Series, 1982
(Chicago, Illinois )Books, Periodicals, etc. Containing References to My Music:
Music and Musicians Magazine, May 1972; Pp 17-18
The International Who's Who in Music, 1980 Ed.
Music Educators Journal, March 1975; Pp 35-45
Chicagoland Magazine, November, 1969; Pp 75-76
Electronic Music, A Listener's Guide; Schwartz,E.
New Directions in Music; Cope; David, 1982
Perspectives of New Music, 1981/82 Editi
Who's Who in American Music, 1983 Ed.
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