|
|
 | Carl Fischer, Inc., 62 Cooper Square, New York, NY 10003 |
| Whole>Sum Productions Press, 2608 S. River, Tempe, AZ 85282 |
http://www.asu.edu/cfa/music/sub/studios/faculty/smith.html
email: J.B.Smith@ASU.Edu
| C. Alan Publications (ascap) McClaren Publications (BMI) P.O. Box 29323 Greensboro, NC 27429 |
email: calanp@earthlink.net
http://www.c-alanpublications.com/
| FROG PEAK MUSIC: A Composers' Collective | ||||||||
| Computer Music Pioneer Salvatore Martirano | ||||||||
| CDCM Computer Music
Series
| Ricardo Dal Farra
also Musica y
Tecnologia and Electromusica | Deep Listening Foundation | Deep Listening Band | GSF | Good Sound Foundation: The Good Sound Foundation was formed in 1985 to revitalize the experience of live performance. A non-profit research and service organization, GSF is an alliance of performers, audio designers, audio engineers, architects.. |
| Australian
Computer Music Association
| Canadian
Electroacoustic Community (CEC)
| Sonic Arts Network
(England) | |
| International
Computer Music Association (ICMA)
| Electronic Music Foundation | SigMusic -
ACM Special Interest Group in Computer Music
|
|
| University of Buffalo - Lejaren
Hiller Computer Music Studio
| California Institute
of the Arts
| University of California at
|
University of Cincinnati - College-Conservatory
of Music
| Dartmouth College Bregman
Electro-Acoustic Music Studio
| University of Florida
| Harvard University
| University of Illinois
|
Northern Illinois University - Computer
Music Studios
| Indiana University - Center for
Electronic and Computer Music (CECM)
| Louisiana State University - Electro-Acoustic
Music Studios
| Massachusetts Institute of Technology - The
Media Lab
| Michigan State University - Computer
Music Studios
| University of Missouri Kansas City - M-PACT
Center
| University of North Texas - CEMI
| Oberlin Conservatory of Music - TIMARA
| University of Oregon
| Peabody Conservatory of John Hopkins University - Computer
Music Studio
| Princeton University - Winham
Laboratory
| San Jose State University - CREAM
| SEMI - Studio for
Electronic Music, Inc.
| Stanford University - CCRMA
| St. Olaf College
| University of Texas - Computer
Music Studios
| University of Virginia - Center
for Computer Music
| Yale University - CSMT | |
| The BEAST - The Birmingham Electro-Acoustic Sound Theatre | ||||||||||||||||||||||||||||||||||||||||||||||||||
| Fractal
Music Project- Computer Center Univ. of Stuttgart
| GRAME - Lyon, France
| Institut International de Musique
Electroacoustique / Bourges - France
| IPEM Universiteit Gent, Belgium
| Institut de Recherche et Coordination
Acoustique/Musique (IRCAM) Paris, France
| Latrobe University -
Australia
| Leeds University
- United Kingdom
| Middlesex University Sonic Arts
Program - United Kingdom
| NOTAM - Norway
| Swiss Center for Computer Music | The BEAST -
The Birmingham Electro-Acoustic Sound Theatre
| Fractal
Music Project- Computer Center Univ. of Stuttgart
| GRAME - Lyon, France
| Institut International de Musique
Electroacoustique / Bourges - France
| IPEM Universiteit Gent, Belgium
| Institut de Recherche et Coordination
Acoustique/Musique (IRCAM) Paris, France
| Latrobe University -
Australia
| Leeds University
- United Kingdom
| Middlesex University Sonic Arts
Program - United Kingdom
| NOTAM - Norway
| Swiss Center for Computer Music | DegeM (Deutsche
Gesellschaft fuer elektroakustische Musik) | DIEM (Danish Institute of
Electroacoustic Music) | Diffusion i Media | Digital Music Research Group
at University of Bristol (England) | Donemus
(Holland) | |
| ACAT (Australian Centre for the Arts and Technology) |
| American Composers Forum |
| American Music Center |
| ANAT (Australian Network for Art & Technology) |
| Artswire |
| Australian Music Center |
| British Harry Partch Society |
| CPCC (Center for the Promotion of Contemporary Composers) |
| Deep Listening Foundation |
| DegeM (Deutsche Gesellschaft fuer elektroakustische Musik) |
| Gaudeamus Foundation (Amsterdam, The Netherlands) |
| IAMIC (International Association of Music Information Centers) (& email) |
| IRCAM Forum |
| KZSU (Stanford University Radio) |
| NEAR (Nederlands Elektro-Akoestisch Repertoirecentrum / Netherlands Electro-Acoustic Repertoire Center) |
| New MusNet |
| New York Foundation for the Arts |
| NMA (New Music in Australia) |
| Norwegian Music Information Centre |
| NoTAM (Norwegian network for Technology, Acoustics and Music) |
| Princeton Sound Kitchen |
| SACMUS |
| Svensk Musik (Swedish Music
Information Center) |
| Computer Music Journal |
| Journal of New Music Research |
| Leonardo Music Journal |
| Mikropolyphonie |
| Musicworks |
| New Music Box (American Music Center). Web magazine & calendar of American music. |
| Organised Sound |
| Paris New Music Review |
| Ars Electronica |
| Dance Theater Workshop (New York City) |
| Exploratorium |
| Gaudeamus Foundation (Amsterdam, The Netherlands) |
| GMEB |
| GRM (Groupe de Recherches Musicales) |
| Hallwalls (Buffalo, New York) |
| Harvestworks (New York City) |
| De Isbreker (Amsterdam, The Netherlands) |
| The Kitchen (New York City) |
| The Knitting Factory (New York City) |
| The Logos Foundation |
| Manca (Nice, France) |
| MASS MoCA (Massachusetts Museum of Contemporary Art) |
| Nuova Consonanza (& email) (Rome, Italy) |
| Pauline Oliveros Foundation |
| Podewil (Berlin, Germany) |
| PS1 (Queens, New York City) |
| Godfried-Willem Raes & Logos Foundation (Ghent, Belgium) |
| ZKM (Zentrum fur Kunst und Medientechnologie Karlsruhe, Karlsruhe, |
